Nos visages (our faces) are drawn from French colonial propaganda portraits of Senegalese and Berber infantrymen. Unable to pin a name to all the faces, the montage connects contradictory half-faces among each other in order to incorporate them in another time-frame and new hybrid identities.
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019| Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper
Nos Visages | 2019 | Ink and nails on paper | Installation view